Мастер
TRACKLIST
4.27 / 5
SIDE A
SIDE B
ABOUT THIS RECORD
THE ALBUM
Мастер is the self-titled debut album by the Soviet heavy metal band Master, released on Melodiya in 1987. It is a hard rock and heavy metal record — direct, riff-driven, and loud by the standards of what Soviet state media had previously sanctioned for official release — and its appearance on Melodiya made it one of the earliest Soviet heavy metal albums to receive formal state distribution. The sound is dense and guitar-forward, with a production approach closer to Western NWOBHM and early thrash than to the polished arena rock that occasionally filtered through official Soviet channels. Its release through the state label gave it a legitimacy and reach that most Soviet metal acts could only access through the underground tape-trading network known as magnitizdat.
ARTIST & RECORDING CONTEXT
Master were formed in Moscow in 1986, emerging from the same milieu that produced several of the USSR's most significant heavy rock acts of the late Soviet period. The band was led by guitarist Andrei Loginov and vocalist Alexander Lvov, with a lineup built around players who had come up through the Moscow rock underground. The album was recorded under conditions that reflected the peculiar compromises of official Soviet cultural production — accessing professional studio facilities meant working within state structures, and Melodiya's involvement shaped both the recording process and what could be distributed. The material on the record draws on the band's live set developed during their early club appearances, and the performances carry an energy consistent with a band transferring stage-honed material directly to tape.
COLLECTOR SIGNIFICANCE
This pressing is sought after primarily because it is the original Soviet release — a Melodiya vinyl of a domestic heavy metal album from 1987 is a genuinely scarce object. Melodiya's pressing runs were not oriented toward niche genres, and heavy metal occupied an uncomfortable position within the official cultural apparatus even during the relative openness of the mid-Glasnost period. Copies that have survived in solid playing condition are uncommon, and for collectors focused on Soviet rock and metal, the Melodiya imprint on a record of this genre carries specific historical weight that later or foreign editions do not.
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